The Indiana Jones saga was complete. He had trumped the Nazis, saved his father’s life, solved one of the greatest archaeological mysteries, and ridden off into the sunset with his companions. At least, until now. The recent spate of late-coming sequels and series restarts no doubt to a large extent prompted Indy’s return to the silver screen, and whilst this is no bad thing by itself, it does however spoil the rather nice ending to the previous series finale Indiana Jones & The Last Crusade. Although Sean Connery declined to come out of retirement for the film, the late Denholm Elliott sadly missed, and there being no part for John Rhys-Davies, the film’s still alluring combination of George Lucas, Steven Spielberg, John Williams and Harrison Ford will no doubt kick this film to the top of the box office. The problem is that the potential for disappointment runs almost as high as it did for Lucas’ own Star Wars Episode 1: The Phantom Menace, and one imagines that The Crystal Skull will only suffer as a result.
Tag: Film
Caught Andrzej Wajda’s Katyń this week as part of the Jameson Dublin International Film Festival and have to say I was fairly impressed. It will probably be the only film I’ll see since the prices go up at this time of year, and indeed I was quite lucky to catch this one since the first showing sold out with over a week to go, no doubt in large part due to the significant number of Polish people living in Dublin. Sadly, being sat right at the front didn’t give a particularly good vantage point for flicking between the pictures and the subtitles, and this is one film I’ll have to watch again on DVD before I can fully make up my mind, but the screenplay was well written and easy to follow despite the amalgam of different plotlines. Unfortunately, some of the character portrayals were rather wooden and to some extent detracted from the film’s message, if there is one beyond the plain Rankean historical analysis.
Nevertheless, Krzysztof Penderecki provides a beautiful score to underline the images, with a smattering of Tchaikovsky and Chopin thrown in during some of the propaganda scenes. As a piece of cinematography the film probably deserves its Oscar nomination, though it is difficult to tell whether it will be remembered more for that or its political implications. That the film does not get caught in a loop of nationalist propagandism is important in light of the tendencies in Moscow and elsewhere. Power is not what comes from the end of a gun but the ability to make people believe ones lies. Certainly disturbing news from Putin’s Russia.
The film’s climax is a rather visceral, and to some extents shocking visual of what the film is after all about. However it does offer an interesting juxtaposition for those taken by the irrationality of mankind—as officer after officer is dispatched in the name of political idealism, these same go to their deaths with a prayer on their lips. Absurd or simply tragic? One thing however is for certain, and that is that my quest for the non-melancholy Polish film continues…
For a brave new future.
The Boys from Brazil
I recently caught a TV screening of The Boys from Brazil, a film adaptation of Ira Levin’s novel, concerning the nefarious actions of Dr. Josef Mengele in South America, and his pursuit by a Nazi-hunter presumably modelled on Simon Wiesenthal. Certainly a rather motley cast, with Laurence Olivier showing why he is so often cited as amongst the highest echelons of English-speaking acting, whilst James Mason poorly attempts to cover up his stiff accent. Still not entirely sure what to make of Peck’s performance.
Regardless, the film is entertaining, even if you’ve heard the twist previously as I had. Produced slightly before Mengele’s actual death in Brazil in 1979, it reminded me of a German film I’d read about entitled Nichts als die Wahrheit, which portrays the fictitious events of Dr. Mengele’s trial as he returns to German, a sick, old man. Sadly, I was unable to track the film down on the Internet, and at least according to this website the film is currently only available on VHS. Hopefully that situation will be rectified before too long, but if anyone knows where or when it might be published on DVD, please leave a comment.
https://www.youtube.com/watch?v=q-l93gltkCc
For anyone who recently enjoyed Hot Fuzz, this new film looks like it will carry the torch where Shaun of the Dead previously led the way. 28 Days Later meets Dog Soldiers?
Casino Royale
So they’re silly. So they’ve been going since the ’60s. So this is the twenty-first (official) outting of the sixth incarnation of a spy who has survived promotion, demotion and the Cold War. It’s a Bond film, and one purporting to go ‘back to basics’ with a new face and a general overhaul for the series. As one of those heretics who preferred the slightly heightened realism of the Timothy Dalton era, this film showed plenty of promise with a conspicuous absence gadgets, a somewhere near realistic plot, and nary a nuclear device in sight.
It’s been compared to the series reboot that Batman Begins provided, and for all its grittiness and mortality of the main character, has been lauded by the critics, whilst simultaneously pleasing fans for remaining true to the Bond brand. Daniel Craig proved to be a controversial choice, but from his experience behind the lines in Archangel and some technical bomb-making expertise in Munich, he came well prepared to play the UK’s most dangerous export.
Warning, possible spoilers after the break!