A Mind @ Play

random thoughts to oil the mind

Playing with the WordPress Database

After initially solving my database character encoding problems by ignoring the specific strings in the wp-config.php file, I was finally forced to alter the characters in the database during a recent reshuffle. Whilst there are two automated solutions available via plugin, namely g30rg3x‘s UTF-8 Database Converter and the Modified UTF8 Sanitize Plugin, sadly neither worked in my particular instance, and indeed the former is no longer supported for current versions of WordPress, though reports on the WordPress support forum suggest there should be no issues.

Fortunately, an excellent guide was available on Alex King’s blog. For more information and follow-up comments, you should definitely read the full post, but here’s a summary of the method that worked for me.

The Infected German Language

This post is nothing more than the idle musings of a person entirely unqualified to judge upon the vagaries of the German language. Certainly being no linguist, nor even having control over anything stronger than a tiny smattering of Denglish, I can only claim to comment as an outsider looking in, and any resemblance to reality is purely coincidental. ((And yes, the title is a play on that rather more succinct and eloquent survey, The Awful German Language by Mark Twain.)) Regardless, here a couple of thoughts that my contact with German has provoked.

Phantoms in the Brain

Phantoms in the Brain

In Phantoms in the Brain, V. S. Ramachandran has attempted to emulate the forebears he cites in the Preface, who inspired him to write science that is both informative and interesting to the general reading public. In this he has certainly succeeded, his style is highly approachable, and the content not only comprises interesting titbits, but wholly thought-provoking suggestions and analyses. I picked up Phantoms in the Brain on the basis of a recommendation from a friend more involved in the scientific fold than I am, yet found the book to be readily accessible to these with even only a meagre understanding of the way our brains function.

The book is for the most part concerned with the fundamental inner workings of the brain revealed to us through curiously specific medical conditions, often brought about by severe physical traumas such as strokes. Some of the findings are, perhaps, fairly well known by now, yet I’ve no doubt that many will still be quite shocking to most readers. However, Ramachandran keeps the presentation of both old and new findings fresh, in his natural inquisitive approach to each individual problem. His curiosity and novel attitude in dealing with many of these strange rarities of medical science at times remind one of the naïve questioning of a young child, who by approaching problems from altogether unexpected angles can come up with profound thoughts and solutions that would not normally strike an adult.

To tat, or not tattoo

Tattoos are a fashion. Whilst I’m sure many may feel personally insulted by that statement, it would take a blind man not to see that it is true. But allow me to qualify that statement. The act of tattooing itself is nothing new, and as Ötzi recently proved, is probably an older custom than we once assumed. People have been doing it for millennia, and will continue to do so into the future, but there will always be a significant social layer to its existence. The social dimension of tattoos is an important factor in their prevalence and popularity, as a result they become a part of what we can call ‘fashion’. Which is no bad thing—social customs, styles, modes of intercourse, even our language evolves—and the rise of tattoos to their level of prominence today is merely a reflection of a society in natural motion. There may be clashes between old and young generations, between those who dominate society and those who will inherit it, over the acceptability of tattoos, but every generation must go through that process, and in turn the wheel may eventually turn full circle. Tattoos today can make employment in certain instances more difficult, for example, and can bring condescension from that generation which associates inking with particular classes or groups (e.g. the stereotypical trio of bikers, convicts and sailors). But in time those particular stereotypes will fade, those social values will die out, and today’s crop of fashionable, tattoo-sporting youngsters will inherit their place and complain about the next generation’s taste in bad music and disgraceful fashions.

So what exactly do I dislike in this state of affairs?

Web Design for Dummies

Web Design for DummiesWhilst I normally steer clear of this kind of book, I saw it in a local library and thought I’d have a look, thinking there might at least be a few useful tips. Unfortunately, I was not only disappointed on the tips front, but in the general presentation of this book. Like a previous viewer, I was left rather perplexed as to exactly who the book is aimed at. The blurb suggests it is designed for people planning to build professional, rather than personal websites, and yet the content never quite seems to match up. At once Lopuck suggests that when providing designs for clients you should delegate to members of your team (also dummies, presumably?) so that the designs reflect different interpretations of the requirements, and a few pages later, something as mundane as copying and pasting images will be covered.

The book is so riddled with such strange juxtapositions that it really ends up being of very little use to anyone. Real beginners will be sorely disappointed by many of the chapters, which assume either a background in print design, or that the reader is already a member of a web design team (begging the question, why they should be reading a book purportedly for dummies), or perhaps that the reader already owns software such as Dreamweaver, Fireworks or Photoshop. More experienced readers may find a few useful tips, but I should imagine have already covered the key sections of this book elsewhere, and will only be insulted by the more mundane chapters on the vagaries of web adaptive palettes or font types.

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