The Time Traveler’s Wife









At heart, the book deals with one couple’s private campaign of resistance to the Nazi regime. As Fallada wrote in an article about the novel, “Über den doch vorhandenen Widerstand der Deutschen gegen den Hitlerterror”, his writings were dedicated to their sacrifice that it not be in vain. The core of the book centres on the Quangels, a couple who lose their son during Hitler’s invasion of France, and who strive to offer a token of resistance, by way of writing postcards and letters denouncing the Nazi acts. These political flyers almost unswervingly end in the arms of the Gestapo, who catalogue this defiance and use their ruthless methods in pursuit of the perpetrators, destroying lives as they do so. This, in my opinion, is one of the book’s greatest strengths, its depth of living characters, almost reminiscent to me of a Dickensian world, each role played by a figure of flesh and blood, and not merely props for the main actors to play up against. Thus the novel details episodes in the lives of thieves and prostitutes, Jews and Gestapo inspectors, youth and the permanently unemployed.
Giving this book a three-star rating seems unjust. When reading it, I found much I liked about the work, yet having had a few days to digest it, find myself struggling to justify just exactly what I found so appealing.
To deal first of all with the good, Kafka on the Shore is on a basic level a decent page-turner. Two related stories are interwoven, chapter for chapter, and while they don’t necessarily come together in the end, the narrative is nicely paced and suitably eventful to keep the reader engaged. There are various themes on display, from the Oedipal tragedy and the journey to adulthood, together with more complex issues dealing with time and reality, and plenty of the metaphorical and surreal elements to spice things up. If you aren’t enamoured by ‘magic realism’ this will no doubt be an instant turn-off.
